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FILM 2215: PLANET OF THE APES (1968)

FILM 2215: PLANET OF THE APES (1968)

TRIVIA: During breaks in filming, actors made up as different ape species tended to hang out together, gorillas with gorillas, orangutans with orangutans, chimps with chimps. It wasn't required, it just naturally happened.

Roddy McDowall, an experienced actor, recommended to his companions in makeup that they should frequently add tics, blinks and assorted facial gestures to add a sense of realism and keep the makeup from appearing "mask-like". McDowall reportedly became a merry prankster with the makeup, driving home with his make-up on, and shocking some of the other drivers on the freeway. While doing the Planet of the Apes (1974) television series, Roddy surprised Carol Burnett when he showed up on The Carol Burnett Show: Episode #7.23 (1974) in full Galen makeup while she was taping her intro talking to the audience.

All the ape actors and extras were required to wear their masks even during breaks and in between shots because it took so much time to make them up. Because of this, meals were liquified and drunk through straws.

Turning down the part of Zira was one of Ingrid Bergman's greatest regrets. Much surprised at how well the finished film turned out, she later confided to her daughter Isabella Rossellini that in hindsight the film would have been an ideal opportunity for her to "disregard her regal bearing". She also regretted missing the opportunity of working with Charlton Heston.

Allegedly, Jerry Goldsmith wore a gorilla mask while writing and conducting the score to "better get in touch with the movie." He also used a ram's horn in the process. The result was the first completely atonal score in a Hollywood movie.

The movie's line "Get your stinking paws off me, you damned dirty ape." was voted as the #66 movie quote by the American Film Institute (out of 100).

In the scene at the Ape City natural history museum, a large claw of a strange animal can be seen prominently displayed several times on a pedestal at the top of the stairs. It is the plaster cast made of the foot of the monster that attacks the spaceship in Forbidden Planet (1956).

John Chambers' outstanding make-up effects pioneered in the film were based on a technique he had used during World War II to give disfigured veterans a normal appearance. Chambers spent many hours watching the apes at Los Angeles Zoo, studying their facial expressions. Several other productions were delayed due to the fact that many of Hollywood's top make-up artists were working on this film. Leftover make-up supplies were later used on Michael Conrad, playing an ape-like alien, in Lost in Space: Fugitives in Space (1968). The Academy of Motion Picture Arts and Sciences gave Chambers an Honorary Award for make-up (which was not an Oscar category until 1981) for this achievement, the second time that a make-up artist received an Academy Award--William Tuttle was the first, for 7 Faces of Dr. Lao (1964). Chambers' award was presented by Walter Matthau and a chimpanzee in a tuxedo.

Linda Harrison, who plays Nova, was having an affair with producer Richard D. Zanuck at the time of production. In the year of the film's release, Zanuck divorced his first wife and married Harrison. The couple were married for nine years and had two children.

Rod Serling admitted that he spent "well over a year and thirty or forty drafts" trying to translate the novel to the screen.

Michael Wilson was brought in to do a rewrite of Rod Serling's screenplay. Wilson's contribution is most evident in the kangaroo courtroom scene, Wilson being an embittered target of the blacklisting Joseph McCarthy "witchhunts" of the 1950s.

Edward G. Robinson was supposed to play Zaius character, but the make-up proceedings to play the ape were too hard for him, so he finally renounced and Maurice Evans got the role.

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.


I’m making my way through the book "1001 Movies You Must See Before You Die", edited by Steven Schneider. See my blog post about my copy of the book here…

You can buy an updated version (which I will get after I’ve made my way through this edition) here…

I really hope you can come on this journey with me – if you do I’d love to know which films you’ve enjoyed the most!


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